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Post by Rossana on Oct 14, 2012 11:44:25 GMT -5
I've been using preparatory sketches to help me visualize my ideas before I begin to paint. However, I have also seen some artists use their plein air oil sketches to paint larger studio works. Does anyone know what is the best way to go about translating small plein sketches into larger paintings?
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Post by Josie R. on Oct 19, 2012 10:14:21 GMT -5
Hi Rossana
I can't answer your question. However, I do know the Group of Seven frequently made plein air sketches, perhaps there is some mention of how they translated the sketches for their studio pieces in one of the many books written about them.
My own feeling is that the plein air sketch is a wonderful way of recording colour, and your initial feeling towards the subject. The best camera cannot replace what your eyes see. It might be a good idea to keep a notepad to write down the mixing of colours so they can be reproduced in the studio.
Let us know how it goes.
Josie
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Post by Rossana on Oct 24, 2012 20:02:44 GMT -5
Thanks Josie!
That's a great idea! I will do some research and see if I can find some information on how the Group of Seven did it. They certainly mastered the process. I also have been trying to record my colour notes on the a seperate smaller canvas board to help me in the studio but taking notes of the colour mixes would be another good tool.
Thanks! If I find I come across any pearls of wisdom, I'll be sure to pass it on.
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